This is Extreme World Info
This is Extreme World Info
Naqsh-e Jahan Square
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|Naqsh-e Jahan Square, Esfahan *|
|Criteria||i, v, vi|
|Inscription||1979 (3rd Session)|
|* Name as inscribed on World Heritage List|
** Region as classified by UNESCO
The square is depicted on the reverse of the Iranian 20,000 rials banknote.
HistoryShah Abbas decided to move the capital of his Persian empire from the north-western city of Qazvin to the central city of Isfahan, he initiated what would become one of the greatest programmes in Persian history; the complete remaking of the city. By choosing the central city of Isfahan, fertilized by the Zāyande roud ("The life-giving river"), lying as an oasis of intense cultivation in the midst of a vast area of arid landscape, he both distanced his capital from any future assaults by the Ottomans and the Uzbeks, and at the same time gained more control over the Persian Gulf, which had recently become an important trading route for the Dutch and British East India Companies.
The chief architect of this colossal task of urban planning was Shaykh Bahai (Baha' ad-Din al-`Amili), who focused the programme on two key features of Shah Abbas's master plan: the Chahar Bagh avenue, flanked at either side by all the prominent institutions of the city, such as the residences of all foreign dignitaries, and the Naqsh-e Jahan Square ("Examplar of the World"). Prior to the Shah's ascent to power, Persia had a decentralized power-structure, in which different institutions battled for power, including both the military (the Qizilbash) and governors of the different provinces making up the empire. Shah Abbas wanted to undermine this political structure, and the recreation of Isfahan, as a Grand capital of Persia, was an important step in centralizing the power. The ingenuity of the square, or Maidān, was that, by building it, Shah Abbas would gather the three main components of power in Persia in his own backyard; the power of the clergy, represented by the Masjed-e Shah, the power of the merchants, represented by the Imperial Bazaar, and of course, the power of the Shah himself, residing in the Ali Qapu Palace.
Maidan - The Royal SquareSilk Road, goods from all the civilized countries of the world, spanning from Portugal in the West, to the Middle Kingdom in the East, found its ways to the hands of gifted merchants, who knew how to make the best profits out of them.
The Royal Square was also admired by Europeans who visited Isfahan during Shah Abbas' reign. Pietro Della Valle conceded that it outshone the Piazza Navona in his native Rome.
During the day, much of the square was occupied by the tents and stalls of tradesmen, who paid a weekly rental to the government. There were also entertainers and actors. For the hungry, there were readily available cooked foods or slices of melon, while cups of water were handed out for free by water-carriers paid for by the shop-keepers. At the entrance to the Imperial Bazaar, there were coffee-houses, where people could relax over a cup of fresh coffee and a water-pipe. These shops can still be found today, although the drink in fashion for the past century has been tea, rather than coffee. At dusk, the shop-keepers packed up, and the huzz and buzz of tradesmen and eager shoppers bargaining over the prices of goods would be given over to dervishes, mummers, jugglers, puppet-players, acrobats and prostitutes.
Every now and then the square would be cleared off for public ceremonies and festivities. One such occasion would be the annual event of Nowruz, the Persian New Year. Also, the national Persian sport of polo could be played in the maidan, providing the Shah, residing in the Ali Qapu palace, and the busy shoppers with some entertainment. The marble goal-posts, erected by Shah Abbas, still stand at either end of the Maydan.
caravanserais that were dedicated to them, and they mainly worked as merchants and money-changers. The Europeans were there as merchants, Roman Catholic missionaries, artists and craftsmen. Even soldiers, usually with expertise in artillery, would make the journey from Europe to Persia to make a living. The Portuguese ambassador, De Gouvea, once stated that:
|“||“The people of Isfahan are very open in their dealings with foreigners, having to deal every day with people of several other nations.”||”|
Masjed-e Shah - The Pinnacle of Safavid ArchitectureMasjed-e Shah, which would replace the much older Jameh Mosque in conducting the Friday prayers. To achieve this, the Shah Mosque was constructed not only with vision of grandeur, having the largest dome in the city, but Shaykh Bahai also planned the construction of a religious school and a winter-mosque clamped at either side of it.
The Lotfollah Mosque - The Private Room of the Shah's HaremLotfollah Mosque, opposite the palace, was the first to be built. The purpose of this mosque was for it to be a private mosque of the royal court, unlike the Shah mosque|Masjed-e Shah, which was meant for the public. For this reason, the mosque does not have any minarets and is of a smaller size. Indeed, few Westerners at the time of the Safavids even paid any attention to this mosque, and they certainly did not have access to it. It wasn't until centuries later, when the doors were opened to the public, that ordinary people could admire the effort that Shah Abbas had put into making this a sacred place for the ladies of his harem, and the exquisite tile-work, which is far superior to those covering the Shah Mosque.
Ali Qapu PalaceAli Qapu (pronounced, ah-lee gah-pooh) is in effect but a pavilion that marks the entrance to the vast royal residential quarter of the Safavid Isfahan which stretched from the Maidan Naqsh-i-Jahan to the Chahar Bagh Boulevard. The name is made of two elements: "Ali", Arabic for exalted, and "Qapu" Turkic for portal or royal threshold. The compound stands for "Exalted Porte". This name was chosen by the Safavids to rival the Ottomans' celebrated name for their court : Bab-i Ali, or the "Sublime Porte"). It was here that the great monarch used to entertain noble visitors, and foreign ambassadors. Shah Abbas, here for the first time celebrated the Nowruz (New Year's Day) of 1006 AH / 1597 A.D. A large and massive rectangular structure, the Ali Qapu is 48 m (157 ft) high and has six floors, fronted with a wide terrace whose ceiling is inlaid and supported by wooden columns.
On the sixth floor, the royal reception and banquets were held. The largest rooms are found on this floor. The stucco decoration of the banquet hall abounds in motif of various vessels and cups. The sixth floor was popularly called (the music room) as it was here that various ensembles performed music and sang songs. From the upper galleries, the Safavid ruler watched polo games, maneuvers and horse-racing below in the Naqsh-i-Jahan square.
The Imperial Bazaarbazaars of the Middle East. Although the present structure dates back to the Safavid era, parts of it are more than a thousand years old, dating back to the Seljuq dynasty. It is a vaulted, two kilometer street linking the old city with the new.
- 360 degree view of the Naghshi-Jahan Square, as seen from the Ali Qapu Palace
- 360 degree view of the Masjid-e Shah and the Naqsh-e Jahan Square, at night
- 360 degree view of the Lotfallah Mosque
- Central Bank of Iran. Banknotes & Coins: 20000 Rials. – Retrieved on 24 March 2009.
- Savory, Roger; Iran under the Safavids, p. 155.
- Kheirabadi Masoud (2000). Iranian Cities: Formation and Development. Syracuse University Press. pp. 47.
- Sir Roger Stevens; The Land of the Great Sophy, p. 172.
- Savory; chpt: The Safavid empire at the height of its power under Shāh Abbas the Great (1588-1629)
- Blow, David; Shah Abbas. The Ruthless King Who Became an Iranian Legend; pp. 195-6
- Savory, Roger; Iran Under the Safavids; pp. 158-9
- Blow; pp. 195-6
- Savory; pp. 159-60
- Blake, Stephen P.; Half the World. The Social Arhitecture of Safavid Isfahan, 1590-1722, pp. 117-9.
- Blow, 206
- Blow; p. 206
- Wilber, Donald; Aspects of the Safavid Ensemble at Isfahan, in Iranian Studies VII: Studies on Isfahan Part II, p 407-408.
- Blake, Stephen P.; Half the World, The Social Architecture of Safavid Isfahan, 1590-1722, p. 143-144.
- Ferrier, R. W.; A Journey to Persia, Jean Chardin's Portrait of a Seventeenth-century Empire; p. 53, p.143
- UNESCO evaluation
- "Bazaar at Isfahan". Archnet.org. http://archnet.org/library/sites/one-site.tcl?site_id=3945. Retrieved 2007-07-19.
Credit : http://en.wikipedia.org
This page was last modified on 28 May 2012 at 15:23.